How is Component 1 structured, what does each section assess, and what does the paper reward across the poetry comparison and the prose essay?
The Component 1 paper (Poetry and Prose): a poetry comparison pairing a pre-1914 anthology poem with an unseen post-1914 text (AO1, AO2, AO3, AO4) and an essay on a studied prose fiction text (AO1, AO2, AO3, AO5), worth 30 percent over 2 hours.
How the Eduqas A-Level English Language and Literature Component 1 paper (Poetry and Prose) is structured: a poetry comparison pairing a pre-1914 anthology poem with an unseen post-1914 text and an essay on a studied prose fiction text, worth 30 percent over 2 hours, and what each section rewards.
Reviewed by: AI editorial process; not yet individually human-reviewed
Have a quick question? Jump to the Q&A page
Jump to a section
What this dot point is asking
Component 1, Poetry and Prose, is the first written paper and the one that combines the qualification's two big skills: idea-led comparison and the sustained analysis of a studied text. It is worth 30 percent over 2 hours, in two sections, and knowing exactly what each section assesses, and how its objectives are loaded, is the foundation of preparing for the paper. This dot point sets out the structure of Component 1 and what the poetry comparison and the prose essay each reward.
The answer
Component 1 tests two distinct skills in one paper, so preparation has two strands: command of the anthology and the prose text from study, and fluency at integrated comparison and essay-writing under time. The two sections reward different things.
Section A: the poetry comparison
Section A pairs a poem from the pre-1914 Poetry Anthology, studied in advance, with an unseen post-1914 text printed on the paper. You write a single integrated comparison of the two, reading language, form, structure and context across the pair. The objective loading is AO1, AO2, AO3 and AO4, with AO4 prominent because the task is comparative: the answer must weave the two texts together around a shared idea, not analyse one fully and then the other. The anthology poem is known, so its secure knowledge and context anchor a comparison with a text read cold in the exam.
Section B: the prose essay
Section B is an essay on a studied prose fiction text from the Eduqas prescribed list (examples include Charlotte Bronte's Jane Eyre and Ian McEwan's Atonement). It is read through the integrated method with a focus on narrative method: how the story is told, the narrative perspective and focalisation, the language that builds character and voice, the structure. The loading is AO1, AO2, AO3 and AO5, so context frames the reading and, where the question invites it, an interpretation is held live. The text is studied in advance, and close analysis is anchored in moments but reaches across the novel from memory.
Examples in context
The anthology, the unseen and the prose text vary, so the moves below are illustrative; confirm your texts against the current Eduqas A710 materials.
A comparative opening (Section A). "Both texts hold time as loss, but the anthology poem keeps the past present through relentless present-tense verbs, where the unseen text fixes it as complete through a single perfective; the contrast in tense is the contrast in how each speaker bears what is gone." A point that exists only as comparison.
A prose argument (Section B). "The novel isolates its protagonist grammatically as much as narratively: she is repeatedly the object of others' verbs and the focaliser of her own confinement, so the narration enacts the separation it describes. Reading the telling, not the events, shows where the isolation lives." Narrative method read to effect.
Try this
Q1. How is Component 1 structured, and what is its weighting? [2 marks]
- Cue. A 2 hour written paper worth 30 percent, in two sections: a poetry comparison (Section A) and a prose fiction essay (Section B).
Q2. Why is AO4 prominent in Section A? [2 marks]
- Cue. The poetry task is a comparison of a pre-1914 anthology poem with an unseen post-1914 text, so the connections objective (AO4) is loaded on top of AO1 to AO3.
Q3. Explore how the writer presents the protagonist's isolation in your prose text, considering contexts. [out of 60]
- What the marker wants. An argued, integrated reading of narrative method (AO1, AO2), framed by context (AO3) and, where invited, interpretation (AO5), anchored in moments but reaching across the novel, not plot retelling.
A note on Component 1
This guide is AI-written and not individually human-reviewed. The set prose text, the anthology and the unseen vary by cycle and centre, and the exact section tariffs and timings are set by WJEC Eduqas; confirm them against the current A710 specification and sample assessment materials.
Exam-style practice questions
Practice questions written in the style of WJEC Eduqas exam questions on this dot point, with worked answer explainers. The year tag is the paper they imitate, not the source.
Eduqas A710 (style of), C1 Section A18 marksCompare how the pre-1914 anthology poem and the unseen post-1914 text present time and loss. Analyse language, form and structure, and consider relevant contexts. [out of 60]Show worked answer →
The Section A poetry comparison (marked out of 60), pairing a known anthology poem with an unseen post-1914 text and loading AO4 on top of AO1 to AO3.
Structure the answer around the shared idea (time and loss) with both texts live, weaving them together rather than analysing one then the other. Name features precisely with the integrated toolkit (AO1), read how each text shapes the idea (AO2), frame by period and the conditions of writing (AO3), and connect the two (AO4). The unseen is read cold, so the secure anthology knowledge anchors the comparison.
Reward genuine cross-text connection built on integrated analysis. Weaker answers analyse the anthology poem fully then the unseen, with no comparison.
Eduqas A710 (style of), C1 Section B18 marksExplore how the writer presents the protagonist's isolation in your studied prose fiction text. Analyse language, form and structure, and consider relevant contexts. [out of 60]Show worked answer →
The Section B prose essay (out of 60) on a studied prose fiction text, assessing AO1, AO2, AO3 and AO5 through an integrated reading of narrative method.
Analyse how the narrative presents isolation: the narrative perspective and focalisation, the language that builds the protagonist, the structure that frames their separation, read with the language levels (the grammar of the narrating voice, the transitivity that isolates the character). Frame by period and tradition (AO3) and, where the question invites it, hold an interpretation live (AO5). Anchor close analysis in moments but reach across the novel from memory.
Reward integrated analysis of narrative method, not plot retelling or character treated as a real person.
Related dot points
- The pre-1914 Poetry Anthology: the prescribed collection studied for Component 1, commanding the poems' form, language and period from memory and mapping them by theme so any one can be compared with an unseen post-1914 text (AO1, AO2, AO3).
How to command the WJEC pre-1914 Poetry Anthology for Eduqas A-Level English Language and Literature Component 1: studying each poem's form, language and period, mapping the collection by theme, and reading poems with the integrated method so any one can be compared with an unseen post-1914 text (AO1, AO2, AO3).
- Comparing poetry and unseen texts: structuring the Component 1 Section A comparison around a shared idea with both texts live, weaving similarity and difference in how meaning is made, so the connection (AO4) is genuine and built on integrated analysis (AO1, AO2, AO3).
How to build an integrated comparison of the pre-1914 anthology poem and the unseen post-1914 text for Eduqas A-Level English Language and Literature Component 1 Section A: structuring around a shared idea with both texts live so the connection (AO4) is genuine, not two analyses bolted together.
- The studied prose fiction text: the Component 1 Section B essay on a prescribed prose novel (for example Jane Eyre, Atonement), read through the integrated method with a focus on narrative method, framed by context and interpretation (AO1, AO2, AO3, AO5).
How to answer the Eduqas A-Level English Language and Literature Component 1 Section B essay on a studied prose fiction text (for example Jane Eyre, Atonement): an integrated reading of the novel's narrative method, framed by context and interpretation, anchored in moments but reaching across the whole text (AO1, AO2, AO3, AO5).
- The five assessment objectives (AO1 to AO5) for A710: integrated method and expression (AO1), analysis of how meaning is shaped (AO2), context (AO3), connections across texts (AO4), and interpretation and creative production (AO5), and how each is weighted across the components.
What the five assessment objectives AO1 to AO5 reward in Eduqas A-Level English Language and Literature (A710), and how they are distributed across the four components: the integrated method and expression (AO1), analysis (AO2), context (AO3), connections (AO4) and interpretation and creative production (AO5).
- The Component 3 paper (Non-Literary Texts): comparative analysis of unseen spoken and non-literary texts (AO1, AO2, AO3, AO4) and analysis of a studied non-literary prose text (for example In Cold Blood, Homage to Catalonia), worth 20 percent over 2 hours.
How the Eduqas A-Level English Language and Literature Component 3 paper (Non-Literary Texts) is structured: comparative analysis of unseen spoken and non-literary texts and analysis of a studied non-literary prose text (for example In Cold Blood), worth 20 percent over 2 hours, and what each section rewards (AO1, AO2, AO3, AO4).
Sources & how we know this
- WJEC Eduqas A-Level English Language and Literature (A710) specification — WJEC Eduqas (2015)
- WJEC Eduqas A-Level English Language and Literature sample assessment materials — WJEC Eduqas (2015)