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How do you approach global English-language and non-English-language film in Component 2?

Global film (Component 2, Sections A and B): studying a global English-language film with a focus on narrative, and a global non-English-language film with a focus on representation, applying the key elements of film form and considering cultural context.

How to approach global film in WJEC/Eduqas GCSE Film Studies Component 2: a global English-language film studied for narrative and a global non-English-language film studied for representation, using film form and cultural context.

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  1. What this dot point is asking
  2. Section A: the global English-language film and narrative
  3. Section B: the global non-English-language film and representation
  4. Why global film matters and how to approach it
  5. Try this

What this dot point is asking

Global film makes up Sections A and B of Component 2. You study a global English-language film (a film in English produced outside the US) with a focus on narrative, and a global non-English-language film with a focus on representation. Both are analysed through the key elements of film form, and the non-English-language film in particular invites attention to cultural context. This dot point is about the approach to each section - which framework to lead with - applied to your set films.

Section A: the global English-language film and narrative

Section B: the global non-English-language film and representation

Why global film matters and how to approach it

Try this

Q1. What is the focus of each global film section in Component 2? [Knowledge recall]

  • Cue. Section A studies a global English-language film (in English, produced outside the US) with a focus on narrative; Section B studies a global non-English-language film with a focus on representation.

Q2. Explain why cultural context is especially important for the non-English-language film. [Short analysis]

  • Cue. Because the non-English-language film comes from a different society and filmmaking tradition, its representations, themes and style reflect that culture, so understanding the cultural context helps explain how and why the film constructs its representations the way it does.

Exam-style practice questions

Practice questions written in the style of WJEC exam questions on this dot point, with worked answer explainers. The year tag is the paper they imitate, not the source.

Eduqas (style)20 marksExplore how narrative is constructed in the global English-language film you have studied.
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A major narrative question (AO2) on the global English-language film. Analyse how the story is built, using narrative terms and film form.

Identify the structure. Linear or non-linear? Note the openings, endings and any non-chronological devices.

Apply narrative concepts. Use Todorov's equilibrium, character function or binary opposition where they fit the film.

Link to film form and effect. Show how editing, sound and the rest support the narrative, and explain its effect on the viewer.

Top marks. A precise account of narrative construction tied to film form and to the viewer's experience.

Eduqas (style)20 marksExplore how representation is constructed in the global non-English-language film you have studied.
Show worked answer →

A major representation question (AO2) on the global non-English-language film. Analyse how the film constructs representations, and read their messages.

Identify the representation. State who or what is represented and the impression created.

Analyse the construction. Explain the film form choices that build the representation.

Read messages and context. Discuss stereotypes, point of view, ideology and the cultural context the film comes from.

Top marks. A precise account of how representation is constructed, with a thoughtful reading of its messages and cultural context.

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