CCEA GCSE Moving Image Arts: film form and the three approaches quiz quiz

To make the audience notice every cut

To join shots so seamlessly that the cuts go unnoticed

To collide images and create meaning

To break the rules of editing for effect

Shows a detail in extreme close-up

Breaks the smooth flow with a jolt

A wide shot that sets the space so the audience knows where they are

Adds a musical score

Keeping the camera on one side of an imaginary line so screen direction stays consistent

Turning the camera a full half-circle during a shot

Cutting every shot to 180 frames

Filming only from a low angle

Reversing the film

Colliding two unrelated images

Creating a jump cut

Cutting between two characters in a conversation, each on a consistent side

From the juxtaposition or collision of shots

From hiding the cuts

From a single shot alone

From keeping screen direction consistent

The French New Wave directors

Eisenstein and Kuleshov

Hollywood studio editors

The Lumiere brothers

That long takes are best

That lighting controls mood

That editing creates meaning through the juxtaposition of shots

That sound is more important than image

It hides the cut to keep the story flowing

It avoids cutting altogether

It uses only matched cuts

It foregrounds the cut to collide images and create meaning

Breaks the rules of continuity editing to create feeling and style

Hides every cut

Uses only establishing shots

Removes all sound

A cut hidden inside a character's movement

A cut between slightly different shots of the same subject that jolts the image forward

A wide shot of a location

A slow dissolve between scenes

Classic Hollywood

Soviet montage

The French New Wave

Italian neorealism

Because it is always invisible

Because it is the same as an establishing shot

Because it only appears in continuity editing

Because the rule-breaking is deliberate and creates an expressive effect

Conceal it, collide with it, disrupt it

All three hide the cut

All three avoid the cut

Conceal it, hide it, ignore it

Soviet montage

Classic continuity editing

The expressive approach

None of these

List as many film titles as possible

Describe the plot of the extract

Name the approach with no detail

Identify it by its devices and contrast it with the other two