How does Homer present Hector and the Trojans, and what do they reveal about the human cost of war?
Homer's Iliad: the characterisation of Hector and the Trojan royal family (Priam, Hecabe, Andromache, Paris and Helen), the scenes within Troy, and how Homer dramatises the human and domestic cost of war.
An OCR A-Level Classical Civilisation (H408/11) study of Hector and the Trojans in the Iliad. Covers Hector's farewell to Andromache in Book 6, his defence of Troy, his death in Book 22 and the laments of Book 24, and how Homer uses the Trojan side to dramatise the human cost of war, with the source and essay skills the paper rewards.
Reviewed by: AI editorial process; not yet individually human-reviewed
Have a quick question? Jump to the Q&A page
Jump to a section
What this dot point is asking
The Iliad is not only the story of Achilles. Homer gives the Trojan side a humanity that makes the war's cost felt, above all through Hector and his family. For The World of the Hero you must know the scenes within Troy, Hector's characterisation, his death in Book 22, and the laments in Book 24, and be able to argue how Homer dramatises the human and domestic cost of war. The paper tests precise knowledge (AO1), close analysis of the text (AO2 and AO3) and your own argument.
The answer
Hector and Andromache: the farewell in Book 6
Hector as defender and as flawed hero
Homer presents Hector as the champion of Troy, but not as flawless:
- His motives are defensive and communal, the protection of his city, wife and child, which makes him sympathetic.
- He can be rash: he rejects the prudent advice of Polydamas to retreat behind the walls, a decision that leads to Trojan deaths.
- He boasts over the body of Patroclus and strips Achilles' armour, an overreach that seals his fate.
Book 22: the death of Hector
In Book 22, Hector waits alone outside the walls while his parents Priam and Hecabe beg him to come inside. When Achilles approaches, Hector at first flees, chased three times around the city. Athene, in the guise of his brother Deiphobus, deceives him into standing his ground; realising he has been abandoned by the gods, Hector resolves to die with glory and is killed. His death, and the dragging of his corpse, is felt as the symbolic fall of Troy itself.
Book 24: the laments and the cost of war
Examples in context
A strong 10-mark stimulus answer on the Book 6 farewell would quote the printed text closely, analysing how specific touches (the child's terror, Andromache's list of lost kin, Hector's prayer) generate pathos.
Try this
Q1. Read a passage from Iliad Book 22 in which Hector decides to face Achilles. How does Homer present Hector's state of mind in this passage? Refer to the passage. [10 marks]
- What the marker wants. AO1 plus AO3: set the moment (Hector alone, deceived by Athene), then analyse details (his deliberation, his recognition that the gods have abandoned him, his resolve to die gloriously) and how they create tragedy.
Q2. 'The women of the Iliad are its most powerful voices.' To what extent do you agree? [marked out of 20; real H408/11 tariff is 30]
- Cue. Argue both sides using Andromache, Hecabe, Helen and Briseis: their laments and pleas carry the poem's grief, though the narrative is dominated by male warriors. Reach a judgement supported by named scenes.
Exam-style practice questions
Practice questions written in the style of OCR exam questions on this dot point, with worked answer explainers. The year tag is the paper they imitate, not the source.
OCR H408/11 2018 (stimulus style)10 marksRead the passage from Iliad Book 6 in which Hector meets Andromache. How does Homer present the relationship between Hector and Andromache in this passage? Refer to the passage. [10]Show worked answer →
A 10-mark stimulus question (AO1 5, AO3 5). The marker rewards close reading of the printed lines.
AO1 (knowledge). Set the scene: Hector returns to Troy, finds Andromache on the walls with their baby Astyanax and the nurse, fearing his death.
AO3 (analysis). Draw on specific details: Andromache's plea that Hector is "father, mother, brother" to her as well as husband, the baby crying at Hector's plumed helmet, Hector's prayer for his son and his statement that shame before the Trojans compels him to fight. Explain how Homer balances tenderness with the duty that will kill him.
Conclude that the scene makes the war's cost personal: it is not abstract glory but this family that is destroyed.
OCR H408/11 2022 (essay, true tariff 30)20 marks'Hector is a more sympathetic hero than Achilles.' To what extent do you agree? [marked here out of 20; the real H408/11 essay tariff is 30]Show worked answer →
The extended-essay type (30 marks live, capped at 20 here). Tests AO1, AO2 and AO3.
For (Hector more sympathetic). He fights to defend his city and family, not for personal honour; the Book 6 farewell, his care for Andromache and Astyanax, and his courage in facing certain death make him deeply human.
Against (complications). Hector can be rash (rejecting Polydamas' advice), boastful over Patroclus' body, and his flight from Achilles in Book 22 shows fear. Achilles, meanwhile, grows towards the compassion of Book 24.
Judgement. The top band argues a clear line, for instance that Hector is more immediately sympathetic because his motives are domestic and selfless, but that Homer humanises both and refuses to make either simply admirable. Support with named episodes.
Related dot points
- Homer's Iliad: the wrath (menis) of Achilles as the organising theme of the poem, from the quarrel with Agamemnon in Book 1 to the return of Hector's body in Book 24, and what it reveals about heroism, honour and mortality.
An OCR A-Level Classical Civilisation (H408/11) study of the wrath of Achilles as the organising theme of the Iliad. Covers the quarrel with Agamemnon in Book 1, the embassy in Book 9, the death of Patroclus, the killing and mistreatment of Hector, and the meeting with Priam in Book 24, with the source and essay skills The World of the Hero rewards.
- Homer's Iliad and Odyssey: the role of the immortals (Zeus, Hera, Athene, Apollo, Aphrodite, Poseidon, Thetis), their interventions in human affairs, the relationship between divine will and fate (moira), and what this reveals about the Homeric worldview.
An OCR A-Level Classical Civilisation (H408/11) study of the gods and fate in Homer. Covers the anthropomorphic Olympians, divine intervention in battle and the wanderings, Zeus and the scales of fate, the limits of divine power, and how gods and mortals interact, with the source and essay skills The World of the Hero rewards.
- Homer's Iliad and Odyssey: the heroic code and its values of glory (kleos), honour (time) and shame, the tension between honour and survival, and how different heroes (Achilles, Hector, Odysseus, Ajax) embody or strain the code.
An OCR A-Level Classical Civilisation (H408/11) study of the heroic code in Homer. Covers glory (kleos), honour (time), shame culture, Achilles' choice between long life and glory, Hector's communal heroism, Odysseus' cunning, and the contexts of Homeric society, with the source and essay skills The World of the Hero rewards.
- Homer's Odyssey: the themes of disguise and deception, the role of Athene as Odysseus' divine protector, the testing of loyalty on Ithaca, and the recognition scenes culminating in the reunion with Penelope.
An OCR A-Level Classical Civilisation (H408/11) study of disguise, deception and Athene in the Odyssey. Covers Odysseus' false tales and beggar disguise, Athene's guidance of Odysseus and Telemachus, the testing of loyalty on Ithaca, and the recognition scenes with Telemachus, Eurycleia and Penelope, with the source and essay skills the paper rewards.
- Virgil's Aeneid: the characterisation of Dido, the development and destruction of her love for Aeneas, the conflict between love and duty, and the tragedy of Book 4 culminating in her suicide and curse.
An OCR A-Level Classical Civilisation (H408/11) study of Dido and Book 4 of the Aeneid. Covers the divine manipulation of Dido's love, the conflict between her passion and Aeneas' duty, her sense of betrayal, the curse foreshadowing Rome and Carthage, and her suicide, with the source and essay skills the paper rewards.
Sources & how we know this
- OCR A Level Classical Civilisation (H408) specification — OCR (2017)
- Homer, Iliad (English translation) — Perseus Digital Library