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WJEC A-Level Media Studies: the theoretical framework, set products and the cross-media NEA

A complete guide to WJEC and Eduqas A-Level Media Studies. Covers the four areas of the theoretical framework (media language, representation, media industries and audiences), the nineteen named set theories, analysis of set products, the media contexts and critical perspectives demanded at A2, the cross-media production non-exam assessment, and how the written papers are structured and marked.

WJEC and Eduqas A-Level Media Studies (Wales and England) is a two-year course assessed by two written papers and a cross-media production. This page is the index: below is a map of the theoretical framework, the nineteen set theories, the set products and contexts, the non-exam assessment, and how to study each part.

The theoretical framework

The whole course is built on the theoretical framework: four interrelated areas through which every media product is analysed. Mastering the framework, and the named theories within it, is the core of the subject.

Media language
How a product makes meaning through its visual, technical, audio and written codes, and through structures such as narrative and genre. The set theories are semiotics (Barthes), narratology (Todorov), genre theory (Neale), structuralism (Levi-Strauss) and postmodernism (Baudrillard).
Representation
How a product re-presents people, groups, places, events and ideas, and the values that carries. The set theories are representation (Hall), identity (Gauntlett), feminist theory (van Zoonen and bell hooks), gender performativity (Butler) and ethnicity and postcolonial theory (Gilroy).
Media industries
How a product is owned, funded, produced, distributed and regulated, and how that shapes it. The set theories are power and media industries (Curran and Seaton), the cultural industries (Hesmondhalgh) and regulation (Livingstone and Lunt).
Audiences
How a product targets and affects audiences, and how audiences receive and use media. The set theories are media effects (Bandura), cultivation (Gerbner), reception (Hall), fandom (Jenkins) and the end of audience (Shirky).

The set products and contexts

The written papers are answered in relation to a set of products fixed by the board, from close-study products to in-depth studies across forms such as advertising, music video, newspapers, magazines, film marketing, radio, television, video games and online media. At A2, the framework is applied in relation to media contexts (social, cultural, economic, political and historical) and to critical perspectives, so products must be linked to the conditions in which they were made and received.

The cross-media production (NEA)

The non-exam assessment is an individual cross-media production in two media forms, made to a WJEC-set brief, applying the framework and digital convergence, and submitted with a statement of aims and intentions. It is marked by the centre and moderated by WJEC, separately from the written papers.

Exam structure

WJEC and Eduqas A-Level Media Studies is assessed by two written examination papers and the non-exam assessment.

  • Written paper analysing media products - applies media language and representation to set products, with extended responses and contexts and critical perspectives at A2.
  • Written paper on media industries and audiences - applies the industries and audiences areas to set products and their contexts.
  • Cross-media production (NEA) - an individual production in two forms to a WJEC-set brief, with a statement of aims, centre-marked and moderated by WJEC.

The exact papers, timings and set products are fixed by the board and change over time, so always check the current WJEC or Eduqas specification.

How to study WJEC Media Studies

Media Studies rewards applying the framework precisely, knowing the set products in detail, and judging theories rather than just defining them.

  1. Learn the framework. The four areas and the nineteen set theories are the spine of every answer.
  2. Apply, do not define. Use a named theory to read a product, and judge how far or how useful it is.
  3. Know the set products. Questions are written about the board's products; revise them closely.
  4. Link to context. At A2, connect products to social, cultural, economic, political and historical contexts and to critical perspectives.
  5. Plan the production. Treat the cross-media NEA as applied media theory, designed around the brief, the audience and convergence.

The four areas, theory by theory

Each area has an overview with the set theories mapped, plus a dot-point answer page for every named theory, and the cross-media production has its own overview.

For the official specification

WJEC and Eduqas publish the full specification, set-product list, past papers and mark schemes at wjec.co.uk and eduqas.co.uk. Always revise from the current specification and the board's own past papers, because the set products and question style are board-specific and change over time.

Media guides

In-depth written guides with paired practice quizzes.

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Media practice quizzes

Multiple-choice drills with worked answer explanations. Your scores stay on this device.

The WJEC-A-LEVEL system, explained

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Common questions about Media

How is WJEC A-Level Media Studies structured?
WJEC and Eduqas A-Level Media Studies is a two-year course assessed by two written examination papers and a non-exam assessment. The written papers test analysis and theory across the four areas of the theoretical framework, applied to a set of close-study and in-depth products fixed by the board. The non-exam assessment is an individual cross-media production in two forms. The course follows the WJEC and Eduqas specifications used in Wales and England from 2017.
What is the theoretical framework in WJEC A-Level Media Studies?
The theoretical framework is the spine of the course: four interrelated areas through which every media product is studied. They are media language (how products make meaning through codes and conventions), representation (how products re-present people, groups, places and ideas), media industries (how products are owned, funded, produced, distributed and regulated), and audiences (how products target and affect audiences and how audiences receive them).
Which set theories and theorists do I need for WJEC A-Level Media Studies?
There are nineteen named set theories. Media language: Barthes (semiotics), Todorov (narratology), Neale (genre), Levi-Strauss (structuralism) and Baudrillard (postmodernism). Representation: Hall (representation), Gauntlett (identity), van Zoonen and bell hooks (feminist theory), Butler (performativity) and Gilroy (postcolonial theory). Media industries: Curran and Seaton (power), Hesmondhalgh (cultural industries) and Livingstone and Lunt (regulation). Audiences: Bandura (effects), Gerbner (cultivation), Hall (reception), Jenkins (fandom) and Shirky (end of audience).
What is the cross-media production in WJEC A-Level Media Studies?
The cross-media production is the non-exam assessment (Component 3): an individual production in two media forms, made in response to a brief set by WJEC, applying the theoretical framework and digital convergence. It is submitted with a statement of aims and intentions explaining how it applies the framework and targets its audience, and is marked by the centre and moderated by WJEC, separately from the written papers.
How should I revise for WJEC A-Level Media Studies?
Revise the theoretical framework and the nineteen set theories until you can apply, not just define, each one, and learn the set products in detail because questions are written about them. Practise reading products through the framework, naming the relevant theory and judging how far or how useful it is. At A2, link products to their social, cultural, economic, political and historical contexts and to critical perspectives, and rehearse the statement of aims for the cross-media production.
How does WJEC A-Level Media Studies compare to other exam boards?
All A-Level Media Studies specifications share the same regulated content: a theoretical framework, set products and a practical production. WJEC and Eduqas share much of the same framework and the nineteen set theories. Their distinctive features are the specific set products and the cross-media production in two forms. Always revise from the current WJEC or Eduqas specification and the board's own past papers and set-product list, because the products and question style are board-specific and change over time.