What musical signs and Italian terms does SQA Higher Music examine, and how do you read accidentals, repeats, articulation and performance directions from a score?
Signs, terms and the score: reading accidentals, repeat signs, articulation marks, ornaments and Italian performance directions (tempo, dynamics, expression) from notation in the Understanding Music question paper.
The score-reading literacy in SQA Higher Music: reading accidentals, repeat signs, articulation and ornament marks, and Italian performance directions for tempo, dynamics and expression, in the listening question paper.
Reviewed by: AI editorial process; not yet individually human-reviewed
Have a quick question? Jump to the Q&A page
Jump to a section
What this dot point is asking
Beyond reading the notes, music literacy in SQA Higher Music includes reading the signs and Italian terms printed in a score: the accidentals that alter pitch, the repeat signs that change the order of play, the articulation and ornament marks, and the Italian directions for tempo, dynamics and expression. The Understanding Music paper prints scores and asks you to interpret these signs and terms. This dot point sets out the signs and terms examined at Higher and how to read them.
The answer
The signs and terms examined at Higher cover several kinds of marking. Accidentals alter a note's pitch: a sharp raises it a semitone, a flat lowers it a semitone, and a natural cancels a previous sharp or flat. Repeat signs change the order of play: repeat barlines, first- and second-time endings, and directions such as Da Capo (from the start) and Dal Segno (from the sign). Articulation and ornament marks show how notes are played: the slur, the staccato dot, the accent, and ornament symbols for the trill, turn and grace notes. Italian performance directions give tempo (adagio, andante, allegro), dynamics (piano, forte, the crescendo and diminuendo hairpins) and expression (dolce for sweetly, legato for smoothly, cantabile for in a singing style). In the paper you read these signs and terms from a printed score and interpret what they instruct.
Accidentals and repeats
An accidental alters a note for the rest of the bar: a sharp raises it a semitone, a flat lowers it, a natural cancels a previous accidental. Repeat signs reorganise the music: a repeat barline sends you back to play a section again; first- and second-time endings give different bars on the repeat; Da Capo and Dal Segno send you back to the start or to a marked sign. Reading these correctly is needed to follow a score.
Articulation, ornament and dynamic signs
Articulation marks show how notes are joined or attacked: a slur curves over notes to join them smoothly, a staccato dot shortens a note, an accent stresses it. Ornament symbols indicate a trill, turn or grace note. Dynamic signs include the letters for the levels (p, f and so on) and the hairpins: a widening hairpin is a crescendo (louder), a narrowing one a diminuendo (softer). Reading these tells you how the printed music should sound.
Italian performance directions
Scores use Italian words for tempo, dynamics and expression. Tempo terms (adagio slow, andante walking, allegro fast), dynamic terms (piano soft, forte loud) and expression terms (dolce sweetly, legato smoothly, cantabile in a singing style) are standard. At Higher you are expected to know the common terms and read what they instruct, so a passage marked dolce e legato should be played sweetly and smoothly.
Examples in context
Take a printed score with a sharp before a note: the note is raised a semitone for the rest of that bar. A repeat barline at the end of a section tells you to play it again; a Da Capo sends you back to the start. Reading these correctly lets you follow the order and pitch of the music.
Take a passage marked p, dolce, with a widening hairpin and a slur over the phrase. You read this as: soft, sweetly, growing louder (crescendo), with the notes joined smoothly (legato). Interpreting the combined signs and terms is the literacy skill the question rewards.
Try this
Q1. What does each of a sharp, a flat and a natural do? [3 marks]
- What the marker wants. A sharp raises a note a semitone; a flat lowers it a semitone; a natural cancels a previous sharp or flat.
Q2. What do a widening and a narrowing hairpin instruct? [2 marks]
- What the marker wants. A widening hairpin is a crescendo (gradually louder); a narrowing hairpin is a diminuendo (gradually softer).
Q3. What does the Italian term "legato" tell a performer? [1 mark]
- What the marker wants. To play smoothly and connected, with no gaps between the notes.
A note on sources
This guide is AI-written and not individually human-reviewed. The signs, terms and score-reading skills follow SQA's Higher Music course specification; verify current detail against the SQA Higher Music documents at sqa.org.uk.
Exam-style practice questions
Practice questions written in the style of SQA exam questions on this dot point, with worked answer explainers. The year tag is the paper they imitate, not the source.
SQA Higher specimen1 marksA widening hairpin is printed under the stave. What does it instruct the performer to do? (1 mark)Show worked answer →
A score-reading question on a dynamic sign. A widening hairpin instructs the performer to make a crescendo, gradually getting louder.
The marker wants the meaning: a gradual increase in volume (crescendo). The widening shape of the hairpin shows the volume opening out. A candidate who reads the standard dynamic signs interprets the widening hairpin as a crescendo at once, and a narrowing hairpin as a diminuendo.
A weak answer reverses it (reading the widening hairpin as getting quieter) or gives a vague "change the volume". Learn the hairpins: widening means louder (crescendo), narrowing means softer (diminuendo).
SQA Higher 20221 marksThe score is marked 'dolce'. What does this Italian term tell the performer? (1 mark)Show worked answer →
A question on an Italian expression term. The marking "dolce" tells the performer to play sweetly or gently.
The marker wants the meaning of the term: sweetly, gently. At Higher you are expected to know common Italian performance directions for tempo, dynamics and expression. A candidate who has learned the expression vocabulary reads "dolce" as "sweetly" directly.
A weak answer guesses from the sound of the word or leaves it blank. Learn the standard Italian terms - for tempo (adagio, allegro), dynamics (piano, forte) and expression (dolce, legato, cantabile) - so you can read the directions a score gives.
Related dot points
- Reading staff notation: reading pitch (treble and bass clefs, key signatures) and rhythm (note and rest values, time signatures) from the stave, and following the printed music in the Understanding Music question paper.
The music literacy skills in SQA Higher Music: reading pitch from the treble and bass clefs, reading note and rest values and time signatures, and following the printed score in the listening question paper.
- Dynamics: identifying the dynamic levels (pianissimo to fortissimo) and changes (crescendo, diminuendo, sforzando) and their effect, in the Understanding Music question paper.
The dynamics concepts in SQA Higher Music: the dynamic levels from pianissimo to fortissimo and the changes crescendo, diminuendo and sforzando, recognised by ear and read from the score in the listening question paper.
- Playing techniques and articulation: identifying pizzicato, arco, con sordino, tremolo, legato, staccato and related concepts that change the timbre and attack of a note in the Understanding Music question paper.
The playing-technique and articulation concepts in SQA Higher Music: pizzicato, arco, con sordino, tremolo, legato, staccato and related terms that change a note's timbre or attack, recognised by ear.
- Tempo and rhythmic devices: identifying tempo markings (Italian terms), accelerando and rallentando, rubato, the drum fill, ostinato and rhythmic ostinato in the Understanding Music question paper.
The tempo and rhythmic-device concepts in SQA Higher Music: tempo markings and changes, rubato, the drum fill, ostinato and related devices, recognised by ear in the listening question paper.
- Tonality and decoration: identifying tonality, modulation, pedal, drone, countermelody, contrary motion and ornaments (including the acciaccatura and appoggiatura) in the Understanding Music question paper.
The wider melody and harmony concepts in SQA Higher Music: tonality and modulation, pedal and drone, countermelody, contrary motion and the ornaments, and how the listening paper rewards hearing them.
Sources & how we know this
- Higher Music Course Specification — SQA (2025)
- Higher Music question paper and marking instructions — SQA (2025)