OCR GCSE Drama: devising drama (Component 01/02) - process, portfolio, performance and evaluation
A complete OCR GCSE Drama guide to devising drama for Component 01/02: the devising process from stimulus to performance, working from a stimulus, the portfolio of supporting evidence, the final devised performance, and evaluating the work across AO1, AO2 and AO4.
Reviewed by: AI editorial process; not yet individually human-reviewed
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What this area covers
This area is the devising coursework of OCR GCSE Drama. Component 01/02, Devising drama, is non-exam assessment worth 60 marks and 30% of the GCSE, internally assessed and externally moderated. Students respond to an OCR-released stimulus, devise an original piece as a performer or designer, document the process in a portfolio of supporting evidence, and give a final performance. The area covers the process, working from the stimulus, the portfolio, the performance and the evaluation.
This guide ties together the five dot-point pages for the area.
The devising process
Devising takes a piece from a stimulus to a finished performance. The stages are: respond to and research the stimulus to find a clear intention; explore and improvise to generate material; select and develop the strongest ideas; structure them into a coherent piece; and refine through rehearsal. The decisive AO1 work is developing and selecting ideas, not just generating a lot of material.
Working from a stimulus
OCR releases the stimulus, and the whole piece grows from it. Interrogate what it suggests, then research around it (factual and theatrical) to narrow your ideas into a clear intention (the effect you want on the audience) and a target audience. Choose a style or practitioner influence that suits the intention, so the piece has a coherent theatrical language.
The portfolio of supporting evidence
The portfolio is the main evidence for AO1. It documents how the piece and your own contribution were created, developed and refined, and reflects on the choices and their effect. The decisive skill is reflection over narration: record what you tried, what you kept and cut, why, and what changed, rather than retelling the project. Build it throughout, not at the end.
The final devised performance
The performance is the chief source of AO2. Performers apply vocal, physical and interpretive skills; designers realise a supporting design. The marks come from skills that communicate the intention at specific moments and a role or design sustained throughout, not from showing range for its own sake.
Evaluating the devised work
Evaluation is the AO4 work: judging how successfully the piece and your contribution communicated the intention, supported by evidence. Weigh what worked and what did not, against the intention, and propose realistic improvements. Honest, balanced judgement scores higher than description.
How to revise this area
- Explore before deciding. Interrogate and research the stimulus to find a clear intention.
- Select, do not just generate. The AO1 marks are in developing and choosing the strongest ideas.
- Reflect in the portfolio. Record choices, reasons and effects throughout, not events at the end.
- Sustain the role or design. Vocal, physical and interpretive skills, or a design state, must stay consistent and communicate.
- Judge against the intention. Evaluate with evidence and propose specific improvements.
The dot points in this area
Each links to a focused answer page: the devising process, working from a stimulus, the devising portfolio, the final devised performance and evaluating the devised work.
Sources & how we know this
- OCR GCSE (9-1) Drama (J316) specification — OCR (2016)