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Edexcel GCSE Music (1MU0): complete guide to performing, composing, the eight set works and the appraising exam

A complete guide to Pearson Edexcel GCSE Music (specification 1MU0). Explains the three components (Performing, Composing and Appraising), the four areas of study and eight set works, the MAD T-SHIRP elements framework, and the listening, dictation and extended-comparison skills the Component 3 exam rewards.

Edexcel GCSE Music (specification 1MU0) is assessed through three components: two non-examined assessments (Performing and Composing) and one listening exam (Appraising). This page is the index: below is a map of the three components, the four areas of study and eight set works, the MAD T-SHIRP elements framework, and the exam skills that run across the course.

The three components

Pearson Edexcel splits the course into three components worth 200 marks in total.

  • Component 1: Performing. Non-examined assessment, 30 percent, 60 marks. A solo performance and an ensemble performance, of at least four minutes combined, each marked out of 30, internally marked and externally moderated.
  • Component 2: Composing. Non-examined assessment, 30 percent, 60 marks. Two compositions of at least three minutes combined: one to a Pearson-set brief and one free composition, each marked out of 30.
  • Component 3: Appraising. A written listening exam, 1 hour 45 minutes, 40 percent, 80 marks. It tests the four areas of study and eight set works with multiple-choice, short-answer, dictation and extended-response questions.

The four areas of study and eight set works

Component 3 is built on four areas of study, each with two set works. The set works are the spine of the whole course.

Area of Study 1: Instrumental Music 1700 to 1820
Bach's Brandenburg Concerto No. 5 in D, third movement (a Baroque fugal gigue in ritornello style), and Beethoven's Piano Sonata No. 8 in C minor "Pathetique", first movement (a dramatic Classical-Romantic sonata-form movement).
Area of Study 2: Vocal Music
Purcell's Music for a While (a Baroque song built on a ground bass with word-painting) and Queen's Killer Queen from Sheer Heart Attack (a 1970s rock song with multitracked vocals).
Area of Study 3: Music for Stage and Screen
Schwartz's Defying Gravity from Wicked (a West End musical-theatre number) and Williams's Star Wars main title / Rebel Blockade Runner (an orchestral film cue using leitmotif).
Area of Study 4: Fusions
Afro Celt Sound System: Release (an African and Celtic fusion with programmed beats) and Esperanza Spalding's Samba Em Preludio (a Brazilian bossa nova and jazz fusion).

The MAD T-SHIRP elements

Every appraising answer is built from the musical elements, remembered as MAD T-SHIRP: Melody, Articulation, Dynamics, Texture, Structure, Harmony, Instrumentation (sonority), Rhythm (with tempo and metre) and Pitch (tonality). Knowing the right term for each element, and using it accurately under pressure, is the single biggest mark-lever in Component 3.

The skills that run across the course

The exam rewards secure knowledge of the set works applied through listening skills.

  1. Aural recognition. Hear the elements (key changes, cadences, textures, instruments, rhythmic devices) in both set-work and unfamiliar extracts.
  2. Musical dictation. Complete missing notes, rhythms or chords on a score, worth 6 to 10 marks every year.
  3. The unfamiliar piece. Apply set-work knowledge to a related unfamiliar extract with a skeleton score (8 marks).
  4. The Section B comparison. Write an extended, evaluative comparison of a set work and an unfamiliar piece against the elements (12 marks).

How to study Edexcel Music

Music rewards practical fluency and disciplined listening in equal measure.

  1. Learn each set work as a story. Fix its context, key, structure, instrumentation and signature devices so you can identify them by ear.
  2. Use the right vocabulary. Call a repeated idea an "ostinato" in the Pathetique but a "riff" in Killer Queen, and never describe texture as "thick" or "thin".
  3. Drill the dictation. Practise completing rhythms and chord patterns from the set works, because a dictation question appears every year.
  4. Rehearse the comparison. Plan and write the 12-mark Section B answer quickly, working through the elements.
  5. Record and refine. For the performing and composing components, rehearse, record and improve, keeping to the timing rules.

The course, dot point by dot point

Each part of the course has overview guides, dot-point answer pages and quizzes. Browse the full set at /gcse-edexcel/music/syllabus.

For the official specification

Pearson Edexcel publishes the full specification (1MU0), the anthology scores, past papers and mark schemes at qualifications.pearson.com. Always revise from the current specification and Edexcel's own past papers, because the set works and question style are board-specific.

Music guides

In-depth written guides with paired practice quizzes.

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Music practice quizzes

Multiple-choice drills with worked answer explanations. Your scores stay on this device.

The GCSE-EDEXCEL system, explained

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Common questions about Music

How is Edexcel GCSE Music (1MU0) structured?
Edexcel GCSE Music has three components. Component 1 (Performing) is non-examined assessment worth 30 percent (60 marks): a solo and an ensemble performance of at least four minutes combined. Component 2 (Composing) is non-examined assessment worth 30 percent (60 marks): two compositions of at least three minutes combined, one to a Pearson brief and one free. Component 3 (Appraising) is a 1 hour 45 minute listening exam worth 40 percent (80 marks), testing the four areas of study and eight set works.
What are the four areas of study and eight set works?
Area of Study 1, Instrumental Music 1700 to 1820, uses Bach's Brandenburg Concerto No. 5 third movement and Beethoven's Pathetique Sonata first movement. Area of Study 2, Vocal Music, uses Purcell's Music for a While and Queen's Killer Queen. Area of Study 3, Music for Stage and Screen, uses Schwartz's Defying Gravity from Wicked and Williams's Star Wars main title. Area of Study 4, Fusions, uses Afro Celt Sound System's Release and Esperanza Spalding's Samba Em Preludio.
What is the MAD T-SHIRP framework?
MAD T-SHIRP is a memory aid for the musical elements Edexcel examines: Melody, Articulation, Dynamics, Texture, Structure, Harmony, Instrumentation (sonority), Rhythm (with tempo and metre) and Pitch (tonality). Using these elements with precise vocabulary is how you turn a description of an extract into a high-mark appraising answer, and they shape both the dictation and the Section B comparison.
How is the Component 3 Appraising exam laid out?
Component 3 is 80 marks in two sections over 1 hour 45 minutes. Section A (68 marks) has eight questions: six on extracts of the set works, one melodic or rhythmic dictation worth 6 to 10 marks, and one on an unfamiliar piece with a skeleton score worth 8 marks. Section B (12 marks) is an extended response comparing one set work with an unfamiliar piece. Audio extracts are played a set number of times and the count is printed on the paper.
How should I revise the Edexcel set works?
Learn each set work as a clear story under the MAD T-SHIRP elements, fixing its key, structure, instrumentation and signature devices (for example the ground bass in Music for a While, sonata form in the Pathetique, or the African and Celtic fusion in Release). Then practise hearing those features in unfamiliar extracts, drill the dictation against the rhythms and chord patterns used in the set works, and rehearse the 12-mark Section B comparison so you can evaluate two extracts against the elements quickly.
How does Edexcel GCSE Music compare to other boards?
All GCSE Music specifications (Edexcel, AQA, Eduqas, OCR) assess performing, composing and listening, but the set works differ by board. Edexcel's distinctive features are its eight named set works across four areas of study, the MAD T-SHIRP elements vocabulary, the dictation question worth 6 to 10 marks every year, the unfamiliar-piece question with a skeleton score, and the 12-mark Section B comparison. Always revise from the current Edexcel 1MU0 specification, its anthology scores and Edexcel past papers, because the set works and question style are board-specific.