Music study guides
CCEA-A-LEVEL Β· A-Level (CCEA) Β· aligned to CCEA.
- CCEA A-Level Music A2 Unit 3 Responding to Music: a complete overview of the Areas of Study, the aural test and score study
A deep-dive CCEA A-Level Music guide to the A2 Unit 3 Responding to Music. Covers the three compulsory Areas of Study (Music for Orchestra in the Twentieth Century, Sacred Vocal Music or the Mass and Requiem, and Secular Vocal Music 1600 to the present), the test of aural perception and unprepared score study, the set works, and how to revise each area for the exam.
π 16 min readCCEA - CCEA A-Level Music AS Unit 3 Responding to Music: a complete overview of the Areas of Study, the aural test and the written paper
A deep-dive CCEA A-Level Music guide to the AS Unit 3 Responding to Music. Covers the three compulsory Areas of Study (Music for Orchestra 1700-1900, Sacred Vocal Music and Secular Vocal Music), the test of aural perception and the written paper, the harmonic and analytical language they demand, and how to revise each area for the exam.
π 16 min readCCEA - CCEA A-Level Music Unit 1 Performing and Appraising: a complete overview of the recital, viva and how it is marked
A deep-dive CCEA A-Level Music guide to the Unit 1 Performing and Appraising coursework. Covers the recorded solo recital, the viva voce, the AS Grade 4 and A2 Grade 6 standards, the assessment criteria for accuracy, technical control, interpretation and communication, and how to plan, prepare and record a recital that scores well.
π 14 min readCCEA - CCEA A-Level Music Unit 2 Composing: a complete overview of the free-brief composition and how it is marked
A deep-dive CCEA A-Level Music guide to the Unit 2 Composing coursework. Covers the single free-brief composition, the freedom of style, resources and form, the recorded-performance submission with optional score, the marking criteria, and how to develop ideas, structure, harmony and texture into a piece that scores well.
π 14 min readCCEA