What are the command words and question types across the OCR H474 components, and how do you decode each (explore, compare, in the light of this view, recreate) to answer precisely what is asked?
Command words and question types (H474): decoding the recurring command words (explore, compare, in the light of this view) and question types (single-text analysis, comparison, view-based, recreative, commentary) across the components, so you answer precisely what each asks.
What the command words and question types are across the OCR A-Level English Language and Literature components (H474), and how to decode each (explore, compare, in the light of this view, recreate, commentary) so you answer precisely what is asked and target the right assessment objectives.
Reviewed by: AI editorial process; not yet individually human-reviewed
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What this dot point is asking
Across the H474 components a handful of command words and question types recur, and answering precisely means decoding each correctly: what "explore", "compare" and "in the light of this view" demand, and how the question types (single-text analysis, comparison, view-based, recreative, commentary) differ in what they want. This dot point covers the recurring commands and types and how to decode them, so you answer the question asked rather than the question you expected.
The answer
Examiners reward answers that meet the precise demand of the question, and that demand is carried by the command word and the question type. Misreading either, treating an evaluative question as a one-sided argument, or a production task as an analysis, loses marks no matter how good the writing. Two things deliver precision: decode the command words, and recognise the question type.
Decode the command words
A few command words recur across the components, each with a precise demand:
- Explore: investigate analytically and openly. It invites a developed, exploratory analysis, weighing the text's workings, rather than a narrow argument. Treat it as an invitation to analyse fully.
- Compare: set texts against each other in idea-led comparison, with both texts live in every paragraph (AO4). It is satisfied only by genuine comparison, not parallel analysis.
- In the light of this view: engage and evaluate the given critical view, weighing how far it holds, where it is true and where complicated, and arriving at an evaluated position. It does not mean "agree with this view".
- Analyse language, form and structure: the AO2 instruction, inviting the full integrated toolkit on how meaning is shaped.
- Consider relevant contexts: the AO3 instruction, requiring context read into features.
Reading these words precisely tells you what to do; the commonest error is reading "in the light of this view" as a cue to agree rather than evaluate.
Recognise the question type
Beyond the command words, the question type sets the task and the objective mix:
- Single-text analysis (the poetry, drama and prose essays): analyse one text's method, AO1, AO2, AO3.
- Comparison (Component 01, the NEA essay): compare two texts, adding AO4.
- View-based: a critical statement to engage and evaluate, layered onto a single-text or comparison task.
- Recreative (Component 03 Section B): a production task, AO5 dominant, "informed by the original" (AO2), write the piece, do not analyse.
- Commentary (Component 03 Section B): analyse your own writing with the integrated method, AO1, AO2, AO3, not more creative writing.
Recognising the type tells you the mode (analyse, compare, write, or analyse-your-own) and the objectives, so you answer in the right register. The sharpest distinction is between the analytical types (explore, compare) and the production type (recreate), which demand opposite things.
Examples in context
The questions vary by series, so the moves below are illustrative.
Evaluating a view. "Decoding 'in the light of this view' correctly, I do not simply agree that the play's meaning lies in its conflicts; I test it, showing where conflict does carry the meaning (the public scenes) and where the meaning lies elsewhere (the unspoken tension of the quiet scenes), and arrive at an evaluated position. The command word demanded evaluation, and the essay delivers it." The evaluative demand met.
Recognising a production task. "Decoding 'recreate' correctly, I write the new piece from the specified point of view, crafted and informed by the original, rather than analysing the novel. Recognising this as a production task (AO5), the opposite register from an 'explore' question, keeps me from wasting the answer on analysis." The right register for the type.
Try this
Q1. What does "in the light of this view" demand? [2 marks]
- Cue. Engage and evaluate the view, weighing how far it holds and arriving at an evaluated position; not simply agreeing and illustrating it.
Q2. How does a recreative task differ from an "explore" task? [2 marks]
- Cue. Recreative is a production task (AO5): write a crafted piece informed by the original; "explore" is an analytical task: analyse the text. They demand opposite registers.
Q3. "The play's meaning lies in its conflicts." Explore the playwright's presentation of conflict in the light of this view. [32 marks]
- What the marker wants. Genuine evaluation of the view through integrated analysis, weighing where conflict carries the meaning and where it does not (AO1 to AO3), reaching an evaluated position, not a one-sided illustration.
A note on command words
This guide is AI-written and not individually human-reviewed. The command words and question types are set by OCR and may be refined across cycles; confirm them against the current OCR H474 past papers and examiners' reports. The technique, decoding the command and the type to answer the actual demand, transfers across the components.
Exam-style practice questions
Practice questions written in the style of OCR exam questions on this dot point, with worked answer explainers. The year tag is the paper they imitate, not the source.
OCR H474/02 (style of)18 marks'The play's meaning lies in its conflicts.' In the light of this view, explore how the playwright presents conflict. Analyse language, form and structure, and consider relevant contexts. [marked out of 32]Show worked answer →
A view-based Component 02 question (OCR marks each section out of 32), the commonest H474 essay type, which must be decoded correctly.
"In the light of this view" means engage the view, do not merely illustrate it: weigh how far it holds, finding where it is true and where it is complicated, and arrive at an evaluated position. "Explore" invites an open, analytical investigation rather than a one-sided argument. "Analyse language, form and structure" is AO2; "relevant contexts" is AO3. Decoding these correctly produces an argued, evaluative, integrated essay; misreading "in the light of this view" as "agree with this view" produces a one-sided illustration that scores less.
Reward genuine engagement with the view through integrated analysis. Weaker answers either ignore the view or simply agree with it, missing the evaluative demand.
OCR H474/03 (style of), Section B18 marksRecreate a section of the novel from a different point of view, informed by the original text. [marked out of 18]Show worked answer →
A Component 03 recreative question (marked out of 18), a distinct question type with its own demands.
"Recreate" signals a production task (AO5 dominant), not analysis: write the new piece, crafted and purposeful. "From a different point of view" sets the specific transformation. "Informed by the original" requires fidelity to the original's world and method (AO2). Decoding the command correctly means writing creatively rather than analytically, which is the opposite of the "explore" and "compare" tasks. Misreading it as an analysis question wastes the answer.
Reward a crafted recreation that meets the specified transformation and stays informed by the original. Weaker answers analyse rather than recreate, or ignore the specified point-of-view change.
Related dot points
- Integrating AO1 to AO5: reading each task for its objective mix and writing so the assessed objectives are all served, keeping AO1 and AO2 in every point, not letting AO3, AO4 or AO5 thin out where they count, across the four components.
How to read each OCR A-Level English Language and Literature task for its assessment-objective mix and write so that AO1 to AO5 are all served where assessed: keeping AO1 and AO2 in every point and not letting AO3, AO4 or AO5 thin out where they count, across the four components.
- Planning integrated essays: building an argument-led essay under time pressure that fuses language and literature in every point, structures by idea, and manages time across the components' different tariffs (the 1-hour Component 01 against the 2-hour Components 02 and 03).
How to plan an integrated essay under time pressure for OCR A-Level English Language and Literature: building an argument-led essay that fuses language and literature in every point, structures by idea, and manages time across the components' different tariffs (the 1-hour Component 01 against the 2-hour Components 02 and 03).
- Closed-text revision: building a reliable, memory-based command of the set poetry collection, play and prose text for the closed-text exams, with mapped themes and methods, a tagged quotation bank, and rehearsed flexible recall (AO1).
How to revise for the closed-text OCR A-Level English Language and Literature exams across the poetry, drama and prose components: building a reliable, memory-based command of the set texts with mapped themes and methods, a tagged quotation bank, and rehearsed flexible recall under time pressure (AO1).
- The Component 02 Section A poetry essay (H474/02): an essay on a set poetry collection (32 marks), assessing AO1, AO2 and AO3 through an integrated reading of poetic method, language and context, handled closed text from memory.
How to answer the OCR A-Level English Language and Literature Component 02 Section A poetry essay (H474/02): an essay on a set poetry collection worth 32 marks, assessing AO1, AO2 and AO3 through an integrated reading of poetic method, language and context, handled closed text from memory.
- The recreative writing task (H474/03 Section B, Q3): transforming or extending the set prose text into a new piece (18 marks), assessed mainly on AO5 (creative, crafted writing) with AO2, informed by a close reading of the original.
How to write the OCR A-Level English Language and Literature Component 03 Section B recreative piece (H474/03): transforming or extending the set prose text into a new piece worth 18 marks, assessed mainly on AO5 (creative, crafted writing) with AO2, informed by a close reading of the original.
Sources & how we know this
- OCR A-Level English Language and Literature (EMC) (H474) specification — OCR (2015)
- OCR H474 past papers and examiners' reports — OCR (2022)